Langston Hughes Speaking at UCLA 2/16/1967

UCLA Communication Archive
1 Dec 201484:24
EducationalLearning
32 Likes 10 Comments

TLDRThe transcript captures a special presentation by Langston Hughes, renowned African American poet, who reflects on his life, work, and the broader issues of racial inequality in America. Hughes shares anecdotes from his travels, discusses the impact of his poetry, and highlights the struggles and contributions of African Americans throughout history. His reading of poems, including 'The Negro Speaks of Rivers' and 'Life is Fine,' showcases his powerful voice and the enduring relevance of his writing in the fight for civil rights and social justice.

Takeaways
  • ๐ŸŽค The speaker reflects on the enduring impact of Langston Hughes as an eloquent spokesman for marginalized communities, highlighting his contributions beyond his 65 years of good health.
  • ๐ŸŒŸ Langston Hughes is celebrated for his artistic integrity and his role as an artist who is also a Negro, which has made him a spokesman whether he willed it or not.
  • ๐Ÿ“š Hughes' body of work is vast, including novels, short stories, autobiographies, anthologies, plays, histories, translations, and recordings, with a focus on poetry that captures urban life and jazz music.
  • ๐Ÿ‘ถ The speaker shares personal anecdotes, including his first publication in a high school magazine and the influence of poets like Paul Laurence Dunbar and Carl Sandburg on his writing style.
  • ๐ŸŒŠ Hughes' poem 'The Negro Speaks of Rivers' is highlighted as a significant work that reflects on the historical significance of rivers to the African American experience.
  • ๐ŸŒ The speaker's experiences in Africa reveal the international aspects of the 'Negro problem,' showing that racial discrimination is not confined to the United States.
  • ๐Ÿ›๏ธ The script discusses the societal and racial issues of the time, including voting rights, police brutality, housing discrimination, and the broader struggle for civil rights.
  • ๐Ÿ‘ฎโ€โ™‚๏ธ A poem titled 'Who But the Lord' addresses the issue of police brutality and the lack of protection for those who are poor and black.
  • ๐Ÿ˜๏ธ The poem 'A Little Song' touches on the challenges faced by African Americans in finding housing, as white residents flee neighborhoods upon the arrival of black families.
  • ๐ŸŽ“ The speaker emphasizes the importance of education and the strides made in integrating higher education institutions, as exemplified by the case of George Washington Maclaurin.
  • ๐Ÿ’š The final poem, 'Life is Fine,' encapsulates the resilience and determination of the African American spirit, suggesting that despite hardships, there is an inherent will to survive and thrive.
Q & A
  • What is the significance of Langston Hughes' poetry in the context of the script?

    -Langston Hughes' poetry is significant in the script as it serves as a powerful medium reflecting the African American experience, highlighting social issues, and advocating for racial equality and integration.

  • Who is Mr. Lewis Lomax and what role does he play in the program mentioned in the script?

    -Mr. Lewis Lomax is a special presenter in the program. The script does not provide further details about his role, but it suggests that he is an important figure who will make a special presentation following Mr. Hughes' segment.

  • What was Langston Hughes' first public appearance that the speaker recalls in the script?

    -The speaker recalls Langston Hughes' first public appearance as being during Negro History Week when the speaker, as a little boy from Georgia, recited Hughes' poem 'The Negro Speaks of Rivers'.

  • What is the historical reference to 'Pharaoh let my people go' in the script?

    -The phrase 'Pharaoh let my people go' is a reference to the biblical story of Moses leading the Israelites out of Egypt. In the script, it is used metaphorically by George Washington Maclaurin when he demands to be allowed to learn at the University of Oklahoma, referencing the struggle for civil rights and education.

  • What does the script suggest about the role of African American artists in society?

    -The script suggests that African American artists have a significant role in society by creating joyous music and art despite facing racial prejudice. They also serve as a source of pride and inspiration for the community and contribute to the cultural exchange between America and Africa.

  • What is the meaning behind the poem 'Life is Fine' as presented in the script?

    -The poem 'Life is Fine' is about resilience and the will to live despite hardships and heartbreak. It tells the story of a young man contemplating suicide but ultimately deciding to live on, reflecting the enduring spirit of the African American community.

  • What is the significance of the 'merry-go-round' in the script?

    -The 'merry-go-round' in the script symbolizes a place of innocence and fun that should not be tainted by racial segregation. The question about the 'Jim Crow section on this merry-go-round' highlights the absurdity of segregation even in spaces meant for children's enjoyment.

  • What is the connection between Langston Hughes and the State Department mentioned in the script?

    -Langston Hughes was sent on a cultural exchange mission by the State Department to Africa, where he read his poems to African people in various countries. This shows the international recognition of his work and its relevance to the African diaspora.

  • What does the script imply about the economic interdependence between Africa and America?

    -The script implies that Africa and America are economically interdependent, with Africa needing goods like refrigerators that it cannot produce, and America needing resources from Africa, such as magnesium for atom bombs.

  • What is the message conveyed by the poem 'Crowns and Garlands' in the script?

    -The poem 'Crowns and Garlands' conveys a message of the disparity between the achievements and recognition of a few successful African Americans and the everyday struggles of the majority. It suggests that the success of a few does not equate to the resolution of broader racial and social issues.

Outlines
00:00
๐ŸŽค Introduction to Langston Hughes

The speaker introduces the evening's program, highlighting the presence of Mr. Hughes and Mr. Lewis Lomax. They reflect on Langston Hughes' impact as a poet and spokesperson for African Americans, mentioning his long career and the breadth of his work, which includes poetry, novels, plays, and more. The speaker also acknowledges the audience's previous experience with Hughes' work and anticipates a revisit of his poems, including one titled 'Motto,' which reflects the bebop era.

05:05
๐Ÿ“š The Significance of Langston Hughes' Work in Education

The speaker discusses the influence of Langston Hughes' work in educational anthologies, particularly for children with reading difficulties. They mention the simplicity of Hughes' style, which makes his work accessible and appreciated. The speaker also acknowledges the complexity of newer poets and introduces emerging talents like David Henderson, Alice Walker, and Leroy Jones, emphasizing the diversity and evolution within African American literature.

10:08
๐ŸŒฑ Early Life and Writings of Langston Hughes

Langston Hughes shares his personal journey, from his childhood in the Midwest to his realization of racial prejudice in Lincoln, Illinois. His unexpected election as class poet in the 8th grade, due to a perceived innate rhythm attributed to his race, catalyzed his passion for writing. Hughes describes his development as a writer, influenced by Paul Laurence Dunbar and Carl Sandburg, and shares early poems that reflect his experiences and the cultural influences of his time.

15:10
๐Ÿšข Travels and the Broadening of Perspective

Hughes talks about his travels, starting with his move to Mexico with his father and his subsequent experiences on ships that took him to Africa. He describes the cultural exchange he witnessed, including the segregation he observed even in African churches. His travels deepened his understanding of the international nature of racial issues and influenced his writing, reflecting the global color line that Dr. Du Bois spoke of.

20:10
๐Ÿ—ณ๏ธ The Struggle for Voting Rights

This paragraph addresses the challenges African Americans faced in exercising their right to vote, particularly in the South. Hughes recounts a humorous yet poignant anecdote about a young man's attempt to register to vote, facing intimidation and violence from the Ku Klux Klan. The narrative underscores the ongoing fight for civil rights and the persistence of racial discrimination.

25:13
๐Ÿ  The Issue of Housing Discrimination

Hughes discusses the difficulties faced by African Americans in finding housing due to discriminatory practices. He describes the phenomenon of white flight and the subsequent decline in neighborhood quality as white residents leave when black families move in. The poem 'A Little Song and Housing' captures the essence of these struggles, reflecting the systemic racism embedded in American society.

30:14
๐ŸŽ“ The Role of Education in Social Change

The speaker praises the role of African American students in the South during the 1960s in raising awareness about racial inequality and inspiring a new wave of social consciousness among students across the country. The speaker reflects on the transformation of American students from being perceived as infantile to becoming agents of meaningful social change.

35:17
๐ŸŒ Cultural Exchange and the African Dream

Hughes shares his experiences as part of a cultural exchange program, where he visited Africa and observed the respect and admiration African people had for African Americans, particularly teachers and skilled professionals. He also notes the economic interdependence between Africa and the United States, highlighting the need for skilled individuals to contribute to this exchange.

40:18
๐Ÿ† Celebrating Achievements, Acknowledging Reality

In this paragraph, Hughes reflects on the achievements of prominent African Americans in various fields, such as entertainment and sports, while also acknowledging the harsh realities of racial inequality. The poem 'Crowns and Garlands' satirizes the idea that the successes of a few can overshadow the struggles of many, emphasizing the need for substantive change beyond่กจ้ข็š„่ฃ่ช‰ๅ’Œๆˆๅฐฑใ€‚

45:19
๐Ÿ’” The Resilience in the Face of Despair

Hughes concludes with the poem 'Life is Fine,' which tells the story of a young man contemplating suicide due to a broken heart but ultimately deciding to live on. The poem captures the essence of resilience and the indomitable spirit of the African American community, reflecting the underlying strength that persists despite adversity.

50:20
๐Ÿ•Š๏ธ The Power of Persistence and Integration

The final paragraph recounts the story of George Washington McLaurin, who fought for his right to integrate higher education at the University of Oklahoma. His courage and determination led to a landmark case that contributed to the historic integration of American universities. The speaker, having reported on McLaurin's story, presents him with an award for his contributions to advancing integrated education and social progress.

Mindmap
Keywords
๐Ÿ’กLangston Hughes
Langston Hughes was a preeminent African American poet, social activist, and playwright during the Harlem Renaissance. His work is central to the video's theme of African American cultural identity and struggle. In the script, Hughes is mentioned as having read his poetry and discussed his travels, reflecting on the social issues of his time.
๐Ÿ’กDehumanization
Dehumanization refers to the act of depriving a person or group of their human qualities or rights. In the context of the video, it is used to draw a parallel between the Nazi regime and the racial discrimination faced by African Americans, illustrating the systemic devaluation of human life based on race.
๐Ÿ’กEloquent Spokesman
An eloquent spokesman is someone who speaks or writes in a fluent, persuasive, and expressive manner. The term is used in the script to describe Langston Hughes' role as a voice for African Americans, effectively communicating the experiences and aspirations of the community.
๐Ÿ’กNegro
The term 'Negro' was historically used to describe black people of African descent. In the video, it is used to refer to the racial group that faced and continues to face systemic discrimination. The script also touches on the evolution of racial terminology and the importance of using terms that respect the identity of the individuals being referred to.
๐Ÿ’กAfrican American
African American refers to an ethnic group of Americans with total or partial ancestry from Africa, generally those who were enslaved and brought to the United States. The term is used in the script to highlight the cultural and historical identity of the group that Langston Hughes represented and advocated for.
๐Ÿ’กHarlem Renaissance
The Harlem Renaissance was a cultural, social, and artistic explosion that flourished in Harlem, New York in the 1920s. It was a defining period for African American artistic expression. The script alludes to this era as the backdrop for Langston Hughes' work and influence.
๐Ÿ’กPoetry of Jazz
The 'Poetry of Jazz' refers to the fusion of poetic expression with the rhythmic and improvisational nature of jazz music. In the script, it is mentioned to describe the style of Langston Hughes' poetry, which was deeply influenced by and often celebrated the spirit of jazz.
๐Ÿ’กRacial Discrimination
Racial discrimination is the unjust treatment of individuals based on their race or ethnicity. The script discusses the historical and ongoing struggle against racial discrimination, particularly the experiences of African Americans in the United States.
๐Ÿ’กAfrican Diaspora
The African Diaspora refers to the widespread dispersion of African people outside of the African continent, often due to the transatlantic slave trade. The term is relevant to the video's discussion of the shared history and cultural connections among African descendants globally.
๐Ÿ’กCultural Exchange
Cultural exchange is the process of sharing and adopting cultural elements from one another. In the script, it is mentioned in relation to the State Department sending Langston Hughes to Africa to share his poetry, symbolizing the reciprocal cultural interactions between Africa and the African diaspora in America.
๐Ÿ’กSocial Consciousness
Social consciousness refers to a heightened awareness and concern for social issues, particularly those related to inequality and injustice. The script highlights the role of African American students in raising social consciousness among their peers and the broader society regarding racial issues.
Highlights

Introduction of the program's two-part structure featuring presentations by Mr. Hughes and Mr. Lewis Lomax.

Recollection of Langston Hughes' early poetry reading in 1933 and his commentary on societal dehumanization.

Mr. Hughes' enduring role as an eloquent spokesperson for marginalized communities in America.

The significance of Langston Hughes' long tenure as a spokesman for African Americans, transcending health and familial support.

Langston Hughes' artistic integrity and his non-pursuit of a spokesperson role, yet becoming one through his work.

The breadth of Langston Hughes' literary contributions, including poetry, novels, short stories, and plays.

Reading of Hughes' poem 'I've been scarred and battered' reflecting resilience and the human spirit.

Discussion of Hughes' influence on urban life, jazz music, and the term 'soul' long before its popularization.

Langston Hughes' encouragement and acknowledgment of younger, avant-garde poets like David Henderson and Alice Walker.

The mention of Leroy Jones as a talented and influential figure in African American literature.

Hughes' personal journey from Joplin, Missouri, to his experiences with racism and his determination to write.

The story of how Hughes became a class poet in the 8th grade, sparking his lifelong writing career.

Hughes' experiences with racial segregation and discrimination in various parts of the United States.

Reading of Hughes' poem 'I, Too' symbolizing the African American experience and hope for the future.

Reflections on the international aspects of the 'color line' problem, as experienced during Hughes' travels.

Hughes' commentary on the progress and remaining challenges in the fight for racial equality in America.

Transcripts
Rate This

5.0 / 5 (0 votes)

Thanks for rating: