Akira Kurosawa - Composing Movement

Every Frame a Painting
19 Mar 201508:24
EducationalLearning
32 Likes 10 Comments

TLDRThe video analyzes Akira Kurosawa's masterful use of movement in filmmaking. It outlines five types of motion Kurosawa employs: weather, groups, individuals, camera moves, and cuts. His dynamic blocking and editing conveys emotions and propels the story visually. Contrasted with a static Avengers scene, Kurosawa's films flow with purposeful, varied motion and rhythm. The video urges filmmakers to go beyond pointless camera moves and instead thoughtfully match motion with emotion to achieve true cinematic storytelling.

Takeaways
  • 😲 Kurosawa uses movement of nature, groups, individuals, camera, and cuts to tell stories cinematically
  • πŸ˜ƒ His blocking and gestures are exaggerated so characters' emotions are clear
  • πŸŽ₯ His fluid camera moves go from close-up to full shot, telling a story
  • βœ‚οΈ He cuts on movement to hide edits and sustain attention
  • 🎞️ Background weather sets mood and adds visual interest
  • πŸ‘₯ Crowd shots make emotions seem bigger
  • πŸ‘† Repeated gestures help the audience identify characters
  • πŸšΆβ€β™‚οΈ Individual movement shows internal states
  • 🎬 Contrasting movement rhythms keep viewers engaged
  • 🎞️ Movement and emotion together create cinema
Q & A
  • What is the first thing the narrator looks for when judging a shot?

    -The narrator says the first thing he always notices is movement.

  • What are some examples of movement of nature that Kurosawa uses?

    -Kurosawa uses wind, water, fire, smoke, snow and rain as examples of movement of nature.

  • How does Kurosawa use groups of people to create motion?

    -Kurosawa films often feature large groups of people who band together or split apart. The motion of crowds makes emotions seem bigger.

  • What is unique about Kurosawa's blocking of individuals?

    -Kurosawa's blocking of individuals is exaggerated - if someone is nervous they pace a lot, if outraged they stand straight up.

  • What are some trademarks of Kurosawa's camera movement?

    -Long, fluid camera moves that go from close-up to full shot to over-the-shoulder in one unbroken take are trademarks of his style.

  • How does Kurosawa use editing to create motion?

    -Kurosawa often cuts on movement, so your attention stays on the motion rather than the edit. He also ends scenes on something static, then cuts straight into movement.

  • How does the scene from Seven Samurai use different types of motion?

    -The Seven Samurai scene uses motion of nature (the wind), groups (the villagers), individuals (Kikuchiyo), the camera, and the cut.

  • How is the camera movement different between the Seven Samurai and Avengers scenes?

    -The Seven Samurai camera moves have distinct beginnings and ends and change direction, while the Avengers moves are repetitive and lack variety.

  • What is the narrator's advice for improving a flat scene?

    -Express the feeling inside a character through their movement or the background movement. Contrast people against groups. Use camera moves and cuts creatively.

  • Why does the narrator value Kurosawa's films?

    -The narrator values how Kurosawa combines motion and emotion to create very cinematic, visually stimulating scenes.

Outlines
00:00
πŸŽ₯ Kurosawa's Masterful Use of Movement in Film

The first paragraph analyzes how director Akira Kurosawa utilized different types of movement in his films to convey emotion and visual interest. It covers movement of nature, groups, individuals, the camera, and editing. An example scene analysis shows how all these elements work together seamlessly.

05:02
😴 Missed Opportunities for Movement in The Avengers Scene

The second paragraph contrasts Kurosawa's skillful use of movement with a static scene from The Avengers. It suggests ways the Avengers scene could have conveyed emotion and meaning through greater use of character, background, group, camera, and editing movement.

Mindmap
Keywords
πŸ’‘movement
Movement is a core aspect of cinematic style that Kurosawa utilizes masterfully. It refers to motion within the frame - whether camera movement, character/object movement, or editing cuts. The video analyzes different types of movement in Kurosawa's films and how he combines them to captivate the audience.
πŸ’‘camera movement
The motion of the camera itself within a shot or scene. Kurosawa uses fluid, motivated camera moves to reveal new information and perspectives. His camera moves have clear narrative purpose.
πŸ’‘blocking
The staging of actors within the scene - where they stand, sit, move. Kurosawa exaggerated character blocking to convey emotion, like pacing to show nervousness.
πŸ’‘cut
An edit between shots. Kurosawa often cuts on movement to transition smoothly between shots and sustain visual interest.
πŸ’‘rhythm
The timing and pace of editing. By varying rhythm, Kurosawa keeps viewers engaged since they can't predict the next cut.
πŸ’‘contrast
Kurosawa juxtaposes different elements against each other - stillness and motion, individuals and groups, action and reaction.
πŸ’‘variation
His films have variation in movement type, camera angle, blocking, and editing rhythm. This complexity engages the audience.
πŸ’‘flow
The smooth, natural continuum of images and scenes, aided by cuts on movement.
πŸ’‘emotion
Movement heightens the emotion of a moment. Carefully planned motion can enhance the audience's sensory experience.
πŸ’‘cinematic
When different aspects like motion, emotion, and imagery combine into an effective sequence, it achieves cinematic spectacle.
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Transcripts
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