How To Shoot A Film At 3 Different Budget Levels
TLDRThe video analyzes 3 black and white feature films shot at different budget levels to examine how cinematography choices are shaped by resources. With no budget, one must embrace minimal gear and lighting through blocking. At an indie budget, basic gear and some simple lighting shapes the look. With an industry budget, the cinematographer has full creative control - choosing format, custom building lights, and utilizing advanced camera movement. Ultimately, while more money provides more cinematic options, a talented cinematographer is key to execute the vision, regardless of budget constraints.
Takeaways
- ๐ Making films requires money to have control over creating visuals and lighting
- ๐ฎ It's possible to make films with little or no budget by embracing what you have
- ๐ฅ The 'No Budget' film Relics was shot on a Canon 550D DSLR with a 24mm lens in B&W
- ๐ Natural lighting was used for Relics by carefully selecting locations and blocking characters
- ๐ Blue Jay had an indie budget which allowed basic gear, paying actors and controlling locations
- ๐ Blue Jay was shot on 2 Canon ME20 cameras simultaneously in B&W to speed up shooting
- ๐ก Some lighting like LEDs and Christmas lights were used in Blue Jay for exposure and glow
- ๐ญ The Lighthouse had an industry budget allowing extensive gear, crew, sets and time
- ๐ The Lighthouse was shot on vintage 1940s lenses and orthochromatic Kodak film stock
- ๐ก Large, bounced HMIs and 18Ks were used in The Lighthouse for soft, bright day interiors
Q & A
What are the three budget levels discussed for making black and white feature films?
-The three budget levels discussed are no budget, indie budget, and industry budget.
What camera and lens were used to shoot the no budget film Relics?
-Relics was shot on a Canon 550D DSLR with a 24mm f/2.8 Nikkor prime lens.
How did the director of Blue Jay enhance the look by using a full frame sensor?
-The director chose a camera with a full frame 35mm sensor to create a different sense of space and shoot very close up to the characters without wide-angle distortion.
What film stock and vintage lenses were used for The Lighthouse?
-The Lighthouse was shot on Kodak's Eastman Double-X black-and-white 5222 film stock using 1940s Bausch & Lomb Baltar lenses.
How did the cinematographer create soft lighting for day interiors in The Lighthouse?
-He bounced 2 HMI M-90s and 2 18Ks off white muslin textile rigged above the windows to bring up exposure and create soft, natural light.
How does having a higher budget impact the cinematographer's control and flexibility?
-A larger budget allows the cinematographer to make any technical choices necessary to best tell the story visually and have more control over lighting, camera, and grips.
What are some strategies for shooting with no budget?
-Strategies include using natural light, finding locations with interesting practical lights, shooting with minimal gear, and focusing on variables you can control like framing and camera movement.
How did shooting in black and white visually simplify the indie film Blue Jay?
-Removing color removed visual distractions so the characters and dialogue remained the focus.
How did the custom orthochromatic filter give an old-fashioned look to The Lighthouse?
-The filter made the skies bright and blank while emphasizing blemishes and textures on skin, evoking a 19th century photographic look.
Does more budget necessarily lead to better cinematography?
-No, having more budget provides more control but the visuals always rely on getting a talented cinematographer to execute the vision.
Outlines
๐ฅ No Budget Filmmaking Requires Embracing Limitations
With no budget, the film 'Relics' was made with an old DSLR camera, a wide 24mm lens, and natural lighting. Shooting was documentary-style in public locations. Black and white filming allowed controlling the visual palette. Lighting relied on placing characters near windows or interesting practical lights at night.
๐ฅ Indie Budget Allows Some Gear and Basic Lighting
The indie film 'Blue Jay' used a high ISO video camera for low light capability and shallower depth of field. Simultaneous two-camera shooting increased coverage. Black and white visually simplified the image. Small LED lights provided basic exposure control. The camera's dynamic range helped preserve highlight and shadow details.
๐ฅ Large Industry Budget Allows Total Creative Control
The film 'The Lighthouse' used vintage lenses, custom filters, and slow film stock to achieve a textured, antique look. Powerful HMIs bounced into muslin softened the light. A dolly and technocrane enabled polished movement. More money provides more cinematic control through gear, lighting, and shooting time.
Mindmap
Keywords
๐กCinematography
๐กBudget Levels
๐กNo Budget Filmmaking
๐กBlack and White
๐กDynamic Range
๐กNatural Light
๐กIndie Budget Filmmaking
๐กIndustry Budget Filmmaking
๐กLighting Techniques
๐กVisual Storytelling
Highlights
First significant research finding on topic X
Introduction of innovative statistical method Y
Notable contribution to theory Z in section 3
Transcripts
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