In Search of Aliens: Mystery of Puma Punku Revealed (S1, E7) | Full Episode

The script introduces the ancient site of Puma Punku in Bolivia, believed by the Incas to be the birthplace of mankind. It discusses the megalithic blocks and the mystery surrounding their uniform shape and precision. The narrator, Giorgio Tsoukalos, an ancient astronaut theorist, explores the possibility of extraterrestrial technology being used in the construction of Puma Punku, which is thought to be part of an ancient temple complex. The script also mentions the challenges of understanding the origin and purpose of the site, and the contrast between mainstream archaeology and alternative theories.

This paragraph delves into the detailed stonework found at Puma Punku, highlighting the precision with which the blocks were cut and fitted together without the use of mortar. It discusses the possibility that the blocks are part of a larger, sophisticated structure. The script mentions the visit to a machinist, Chris Dunn, to compare modern cutting techniques with those found on ancient Puma Punku stones, suggesting that the ancient cuts may have been made with a tool as sophisticated as a modern diamond saw.

The script describes the discovery of magnetized stones at Puma Punku, raising questions about their exposure to electromagnetic waves or contact with an unknown substance. It also discusses the scale and precision of the site's construction, which is considered unparalleled. The narrator visits the Gate of the Sun, which features carvings of the god Viracocha and his winged children, and ponders the significance of these depictions in relation to the site's history and potential extraterrestrial connections.

The paragraph discusses the theories about the age of Puma Punku, with some suggesting it dates back 24,000 years based on deciphered calendars. It mentions the work of researchers like Edmund Kiss and Hans Schindler Bellamy, who proposed dates significantly older than the traditionally accepted. The script also recounts a story of the Spanish conquerors questioning the Inca ruler about the construction of Puma Punku, to which the ruler attributed the work to the gods.

This section addresses the logistical challenges of moving and placing the massive stone blocks at Puma Punku. It contrasts the mainstream archaeologists' theories of using manpower and wooden rollers with the lack of trees at the high altitude and the local Aymara people's oral traditions. The script introduces an Aymara elder, Rene Quispe, who shares legends about the site's construction and its connection to giants and the Watchers, figures from ancient astronaut theories.

The paragraph explores the local legends and the ancient astronaut theory's connection to the figures known as the Watchers and the creation of a race of giants by Viracocha. It discusses the significance of the Gate of the Sun and its depictions, as well as the theories of Arthur Posnansky, who dated Tiwanaku to around 17,000 years old based on astronomical alignments. The script also mentions the Aymara elder's agreement with Posnansky's theories and the implications for understanding the history of the site.

The script discusses the similarities between Puma Punku and other ancient sites around the world, such as the use of keystone cuts and the presence of monolithic doors. It mentions the work of David Childress, who believes that Puma Punku is key to understanding the connection between ancient civilizations and ancient space travelers. The paragraph also explores the idea that these construction techniques could not have been developed independently and suggests a shared builder or teacher.

This section focuses on the technique of keystone cuts and the use of metal clamps in ancient construction, found in various sites worldwide. It discusses the possibility that these metal clamps were made of copper, bronze, silver, or gold, indicating a knowledge of metallurgy. The script suggests that this evidence is ignored by mainstream archaeologists because it contradicts their theories about the isolation of ancient civilizations.

The paragraph presents theories that Puma Punku may have been constructed with extraterrestrial assistance, including the idea that it could have been a mining center or a spaceport. It discusses the Fuente Magna Bowl, which features Sumerian text and is considered evidence of contact between ancient Sumerians and an extraterrestrial race known as the Anunnaki. The script also mentions the work of Zecharia Sitchin and the need to rewrite history to accommodate these findings.

The script describes a meeting with forensic structural engineer Casey Hemmatyar to analyze Puma Punku's construction and potential destruction. It discusses the use of CGI technology to create a three-dimensional model of the site as it may have looked over 10,000 years ago. The paragraph explores theories about the structure's purpose and the forces that could have led to its destruction, including the possibility of a Great Flood.

The final paragraph concludes the investigation into Puma Punku's construction and destruction. It presents the theory that the site was built before the Great Flood and was destroyed by it, supported by the discovery of seashells and fish fossils in the area. The script reflects on the journey and the narrator's conviction that Puma Punku's construction involved extraterrestrial technology and that its destruction was a result of a cataclysmic flood.