Why Do We Have 3 Minor Scales? - Music Theory
TLDRThe video explains the differences between the three minor scale types - natural, harmonic, and melodic - which causes confusion for many musicians. It emphasizes using the correct key signature for natural minor and not confusing it with modes. The harmonic minor raises the seventh note when going up and down. The melodic minor raises the sixth and seventh notes going up, but follows the key signature coming down, matching the natural minor. Having three minor scale options allows composers flexibility writing melodies and harmonies. Minor tonality evolved over time, needing these options to sound pleasing.
Takeaways
- ๐ Every minor scale has a relative major scale that shares the same key signature
- ๐ The natural minor scale uses only the accidentals in the key signature, no temporary alterations
- ๐ค The natural minor scale should not be confused with modes that start on the same tonic note
- ๐ฏRaising the 7th degree of the scale by a semitone turns the natural minor into a harmonic minor
- ๐ง Raising the 6th and 7th degrees going up and following the key signature coming down makes a melodic minor
- ๐คจ The descending melodic minor scale is the same as the natural minor scale
- ๐ฎ Harmonic minor works well for writing chords and harmony, melodic minor works better for melody
- ๐ค The melodic minor smooths out the augmented 2nd interval that occurs in the harmonic minor scale
- ๐คฉ Composers sometimes compromise between harmonic and melodic minor scales to avoid clashes
- ๐ Natural minor is still commonly used, and some exams let you choose between minor scale types
Q & A
What are the three minor scales discussed in the video?
-The three minor scales discussed are: natural minor, harmonic minor, and melodic minor.
How is a major scale related to its relative minor scale?
-A major scale and its relative minor scale share the same key signature. For example, C major and A minor both have no sharps or flats.
What is the difference between a natural minor scale and a mode?
-A natural minor scale uses the key signature and accidentals of its relative major scale. A mode starts on any note and uses only the white notes, with no key signature.
How do you construct a harmonic minor scale?
-To create a harmonic minor scale, start with the natural minor scale and raise the seventh degree by a semitone.
What happens to the sixth and seventh degrees in a melodic minor scale?
-In a melodic minor scale, the sixth and seventh degrees are raised by a semitone when going up the scale, but follow the key signature when going back down.
Why does the melodic minor scale use different notes ascending and descending?
-The melodic minor smooths out the augmented second interval between the sixth and raised seventh to create a better melody, but reverts to natural minor descending to enable smooth voice leading and harmony.
When writing music, when is each type of minor scale used?
-Harmonic minor is used for writing harmony and chords. Melodic minor is used for writing melodies. Natural minor is used for instrumental music giving a choice between harmonic/melodic.
What causes the conflict of interest between harmonic and melodic minor scales?
-The raised seventh degree used in harmonic minor creates an augmented second interval, which sounds dissonant in melodies, hence the different formulation of melodic minor.
What interval is smoothed out by raising the sixth and seventh degrees in melodic minor?
-The augmented second interval between the sixth degree and raised seventh degree is smoothed out by also raising the sixth degree in melodic minor. This creates a more consonant melody.
Why were different minor scale formulations developed in music history?
-As major/minor tonality developed after 1600, different minor scale variants were needed - harmonic minor for chords, melodic minor for melodies, and natural minor for flexibility in instrumental music.
Outlines
๐ Why a minor scale has a relative major
Paragraph 1 explains the relationship between major and minor scales, using the example of C major and A minor. It states that they share the same key signature with no sharps or flats. It emphasizes that a natural minor scale uses the key signature of its relative major.
๐ต How to build the 3 types of minor scales
Paragraph 2 provides instructions for constructing the 3 minor scales - natural, harmonic, and melodic. It explains how to raise certain degrees of the scale to create the different variations. It also notes the importance of using proper terminology like 'raise by a semitone' rather than 'sharpen'.
Mindmap
Keywords
๐กminor scales
๐กrelative major/minor
๐กnatural minor scale
๐กharmonic minor scale
๐กmelodic minor scale
๐กmodes
๐กharmony writing
๐กmelody writing
๐กtonality
๐กcadence
Highlights
Proposed a novel theory that challenges traditional assumptions
Performed groundbreaking experiments that validate the new model
Developed an innovative algorithm that dramatically improves performance
Demonstrated for the first time how phenomenon X causes effect Y
Established a framework that connects previously disjoint concepts
Transcripts
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