The Plagal Cadence - Music Theory

Music Matters
11 May 201706:09
EducationalLearning
32 Likes 10 Comments

TLDRThe video explains the plagal cadence, which is a musical punctuation used to end a phrase. It consists of chord IV followed by chord I in a key. The instructor demonstrates how to find the notes for these chords and provides examples of how to play a plagal cadence. He explains you can arrange the notes in different ways and encourages creatively experimenting with the chord progression. The video aims to teach how plagal cadences work so viewers can start using them in their own music.

Takeaways
  • πŸ˜€ A plagal cadence consists of chord IV followed by chord I
  • 😊 To find the notes of these chords, start on the I (tonic) chord and go up intervals of 3rds and 5ths
  • 🎹 Chord IV uses the 4th note of the scale as its root, with a 3rd and 5th above it
  • 🎢 You can voice the chords with any number of notes, as long as they belong to chord IV or I
  • 🎡 A plagal cadence creates a sense of finality, like a musical full stop
  • πŸ’‘The plagal cadence is sometimes called the Amen cadence, but 'Amen' can be sung to any chords
  • 🎼 Use chord IV and chord I in different ways at the keyboard to get familiar with the sound
  • 🎚 The melody notes over a plagal cadence need to belong to chord IV moving to chord I
  • ✏️ Try writing a melody that uses a plagal cadence at the end of a musical phrase
  • πŸ€“ Understanding cadences like the plagal helps with analyzing and writing music
Q & A
  • What are cadences in music?

    -Cadences are like musical punctuation marks that indicate the end of a musical phrase or section. They are musical full stops, commas, and question marks.

  • What are the four main cadences mentioned in music theory?

    -The four main cadences mentioned are the perfect cadence, plagal cadence, imperfect cadence, and deceptive cadence.

  • What is a plagal cadence?

    -A plagal cadence is formed by chord IV followed by chord I. For example, in the key of C major, it would be an F major chord followed by a C major chord.

  • How do you find the notes for chord IV and chord I?

    -To find chord I, take the 1st, 3rd, and 5th notes of the scale. For chord IV, take the 4th, 6th, and 8th notes of the scale. So in C major, chord I is CEG and chord IV is FAC.

  • Why is the plagal cadence sometimes called the amen cadence?

    -It's called the amen cadence because pieces sung in church sometimes end with an "amen" on these two chords. However, amen can be sung to any two chords, so it's not the best name.

  • What instruments can you use to practice playing plagal cadences?

    -You can practice plagal cadences on keyboard instruments, guitar, or any melodic instrument. You can also sing melodies using the notes from chords IV and I to get the plagal cadence.

  • How would you write a melody using a plagal cadence?

    -Write a melody using the notes of chord IV, followed by a melody using the notes of chord I. The last two chords will form the plagal cadence. The melody notes should belong to the underlying chords.

  • What are some ways to play a plagal cadence?

    -You can play it as simple triads, as arpeggiated chords, spread out, as thick chords with doubled notes, and in many other creative ways. As long as you use the notes of IV and I, you can create different plagal cadence sounds.

  • Why does the plagal cadence sound like a musical full stop?

    -The plagal cadence creates a sense of resolution and finality because it ends on chord I, the home chord. The return to the tonic chord provides closure, like a period at the end of a sentence.

  • How can you use plagal cadences when composing or songwriting?

    -Use plagal cadences at the end of phrases or as the final cadence to provide a sense of conclusion. You can also use them mid-phrase to provide a sense of repose before continuing.

Outlines
00:00
🎡 Understanding the Plagal Cadence in Music

The first paragraph explains what a plagal cadence is in music - a cadence being like musical punctuation that indicates the end of a musical phrase. It states that a plagal cadence consists of chord IV followed by chord I. It then explains how to find the notes for these chords, using the key of C major as an example. Chord I is CEG and chord IV is FAC. It gives examples of different ways to arrange these notes across multiple octaves to create richer plagal cadence chords.

05:01
πŸ˜„ Experimenting with the Plagal Cadence

The second paragraph encourages the viewer to experiment playing with plagal cadences on their instrument. It suggests trying out different chord arrangements with chord IV and chord I notes in the right hand while adding a plagal cadence resolving melody line in the left hand. It reiterates that a plagal cadence can create a feeling of finality, like a perfect cadence.

Mindmap
Keywords
πŸ’‘cadence
A cadence refers to a chord progression that signals the end of a musical phrase or section. The video focuses specifically on the plagal cadence, which is a IV-I cadence. This means it progresses from the subdominant chord (IV) to the tonic chord (I). An example from the script is 'So a plagal cadence is chord IV, followed by chord I.' Cadences are important for structuring music and providing punctuation.
πŸ’‘chord
A chord is a group of notes played together. The specific chords discussed are the tonic chord (chord I) which is built on the first note of the scale, and the subdominant chord (chord IV) built on the fourth note of the scale. For example, in C major, chord I is CEG and chord IV is FAC. These chord progressions are an essential building block of the cadences.
πŸ’‘scale degree
The concept of scale degrees underpins the explanation of cadences. The first, fourth, and fifth notes of any major or minor scale are used to build the chords for a plagal cadence. For example, in C major, C is the first degree, F is the fourth degree, and G is the fifth degree. Recognizing scale degree patterns helps identify chord functions.
πŸ’‘triad
A triad is a 3-note chord containing a root, third, and fifth. Triads are formed by stacking every other note in the scale. The video explains 'what I do to form a triad is I take this C, and I say let's find the note that is three above it, and the note that's five above it.' For the plagal cadence, triads are built on scale degrees I and IV.
πŸ’‘tonic
The tonic refers to the first note and chord in a key. For example, in the key of C major, the note C and the C major triad (CEG) are the tonic. The tonic chord (chord I) forms the resolution in a plagal cadence, resolving from chord IV.
πŸ’‘subdominant
The subdominant refers to the fourth note and chord in a musical key. In C major the note F and chord FAC are the subdominant. The subdominant chord (chord IV) comes before the final tonic chord in a plagal cadence.
πŸ’‘permutation
Permutating or rearranging notes of chords is discussed - 'the possibilities are endless as long as we're using those notes.' For example, chord IV (FAC) can be spread out over multiple octaves and instrumental parts in many configurations, as long as only the notes F, A, and C are used.
πŸ’‘texture
Musical texture refers to the layering of multiple musical lines or voices. The concept of building textures using triads comes up - 'you can have as many parts as you like.' Thick textures using triad notes can be created on chord IV and chord I to voice a plagal cadence.
πŸ’‘harmony
Harmony refers to how chords are constructed and progress in relation to the melody and key. The plagal cadence provides harmonic punctuation based on the movement from chord IV to chord I.
πŸ’‘melody
The melody refers to the lead tune in a musical piece. Examples are provided of how a melody can outline and resolve over the IV and I chords of a plagal cadence. 'And of course if you're using these as chords, then the melody would have to belong as well.'
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