#21 LEARN FREE MUSIC THEORY

Andrew Furmanczyk
1 Mar 201014:08
EducationalLearning
32 Likes 10 Comments

TLDRIn this introductory music theory video, the instructor discusses basic melody writing techniques including using question and answer phrases with dominant and tonic endings. He advises composing 30 short melodies for practice utilizing one rhythmic motive, intervals within seconds and thirds, ending on tonic, and melodic repetition/inversion for variation. The goal is gaining proficiency in fundamental melody writing skills to apply later when tackling more complex musical forms.

Takeaways
  • ๐Ÿ˜€ Basic melody writing involves using questions and answers, starting on the tonic and ending on the dominant
  • ๐Ÿ˜Š A motive is a short rhythmic device that can be repeated and varied melodically throughout a piece
  • ๐ŸŽต Melodies sound best ending on the tonic on a strong beat for resolution
  • ๐ŸŽถ Leap no more than a 3rd between melody notes, except for the final dominant to tonic resolution
  • ๐ŸŽผ Use 2-4 bar phrases for question and answer melodies
  • ๐ŸŽน Try out different rhythms and keys when writing 30 practice melodies
  • ๐ŸŽผ Inverting and transposing motives creates interest and development
  • ๐Ÿ˜• Composing well takes a lot of practice - don't get discouraged!
  • ๐ŸŽป Writing these melodies will provide good preparation for more advanced music theory later on
  • ๐ŸŽ‰ Have fun, be creative, and enjoy the process of composing!
Q & A
  • What is the main topic discussed in the video?

    -The main topic is basic melody writing. The video goes over some tips and tricks for writing simple melodies as an introduction to music composition.

  • What is the 'question and answer' concept in melody writing?

    -The 'question and answer' concept involves writing a melody line that asks a musical question, usually ending on the dominant, and then resolves to an answer, ending on the tonic. This creates a sense of resolution.

  • What are two important rules for answering phrases in melody writing?

    -Two rules are: 1) The last note of the answering phrase should be on the tonic. 2) The last note should fall on a strong beat to sound finished.

  • What is a motive in music composition?

    -A motive is a short rhythmic pattern or device that gets repeated and developed throughout a piece of music. Composers use motives to create unity and familiarity.

  • What intervals should beginning melody writers generally stay within?

    -When starting out, melody writers should usually stay within seconds and thirds and avoid leaping beyond a third to keep the melody smooth and singable.

  • What exceptions allow for bigger leaps in simple melodies?

    -One exception is at the end of a phrase, composers can have a larger leap from dominant to tonic to accentuate the resolution.

  • What time signatures and keys does the instructor recommend practicing with?

    -The instructor recommends trying different simple time signatures like 2/4, 3/4, 4/4, and 6/8 and practice with various major and minor keys, not just C major.

  • Why does the instructor encourage not getting discouraged with melody writing?

    -The instructor explains that composing takes a lot of practice and few people are instantly good at it. Creating good music requires learning, skill building, and writing a lot before things start to click.

  • What's the recommended homework assignment?

    -The recommended homework is to write 30 short question-answer melodies between 2-4 bars long using ideas from the video.

  • What are some ways to enhance creativity with the melody writing practice?

    -Some creative ways to expand the practice are: experimenting with different rhythmic motives, inverting/retrograding melodies, transposing to different keys, occasionally using minor scales, and allowing yourself to write as many melodies as you want.

Outlines
00:00
๐ŸŽต Introducing basic melody writing

The first paragraph introduces the topic of basic melody writing. It explains that they will cover some simple extra knowledge on melody writing, including using techniques like question and answer phrases and motives. It also briefly mentions ending melodies on the tonic and on strong beats.

05:01
๐Ÿ˜ฎโ€๐Ÿ’จ Discussing motives and ending phrases

The second paragraph continues discussing melody writing concepts. It talks about using motives, which are short rhythmic themes that can be repeated and varied. It also reminds that phrase endings should land on the tonic and on strong beats for stability.

10:02
๐Ÿ“ Giving a melody writing assignment

The third paragraph gives a specific melody writing assignment to practice the concepts covered. It instructs writing 30 short question and answer melodies using various time signatures and keys. It encourages trying different keys and not getting discouraged while learning to compose melodies.

Mindmap
Keywords
๐Ÿ’กmelody
A melody refers to a sequence of single notes that form an musical idea or motive. The video focuses on teaching basics of writing melodies, defining concepts like questions & answers, motives, intervals etc. It aims to provide foundational knowledge for students to practice writing short melodies.
๐Ÿ’กmotive
A motive is a short musical idea or pattern that gets repeated through a piece. As the lesson mentions - "what a motive is is it's like a short, rhythmic device like i can put a box, around that and call that like motive a". Composers introduce motives and then alter the notes or transpose them while retaining the core rhythmic pattern.
๐Ÿ’กquestions and answers
The video introduces this as a common technique used in melody writing. A 'question' refers to a musical phrase that leads to the dominant (5th note of scale) and sounds unresolved, while the 'answer' resolves the tension by landing on the tonic note (1st note of scale).
๐Ÿ’กintervals
Intervals refer to the distance between notes in a melody or harmony. For basic melody writing, the video advises not to leap more than a 3rd apart, and focus more on step-wise motion (2nds) between notes.
๐Ÿ’กharmony
Though not the focus, harmony refers to the vertical aspect of music - building chords and chord progressions. The video hints at importance of harmonic understanding for more advanced composition tasks.
๐Ÿ’กdominant
The dominant is the 5th scale degree of a musical key. Resolving tension from the dominant to the tonic is an important musical gesture that gets used in melody writing, as the video demonstrates.
๐Ÿ’กtonic
The tonic refers to the 1st note of any musical scale or key - like C in C major. The tonic represents stability and rest, while the dominant creates tension moving towards it.
๐Ÿ’กrhythm
Rhythm is the pattern created by long and short notes in a melody. Identifying rhythm patterns helps write motives that get repeated and varied through a melody.
๐Ÿ’กbeat
The regular pulse that underlies a piece of music are the beats. As taught in the video - melodies sound most resolved if ending notes land on strong beats rather than weak ones.
๐Ÿ’กscale
Though not explicitly defined, scales refer to the collection of notes that make up a musical key - like the C major or A minor scale. The video asks students to practice writing melodies using different scales beyond just C major.
Highlights

We're going to talk about basic melody writing - things like question and answer phrases

Question and answer is probably one of the very most used things in all of melody writing

You start on a note, go to the dominant, then resolve back to the tonic - like asking a question and answering it

Want the final tonic note in the answer phrase to land on a strong beat for resolution

Introduced the idea of a motive - a short rhythmic pattern that gets repeated and transposed as a unifying element

Don't leap more than a third between notes in simple melodies, except sometimes between dominant and final tonic

You can invert, retrograde, or transpose motifs to create variations while keeping musical coherence

Gave a homework assignment to write 30 short question-answer melodies using concepts covered to get composition practice

It takes a lot of practice and skill development to become a strong composer - be patient with yourself

Try different keys and time signatures for writing practice beyond just C major and 4/4

Later courses will have you compose full musical forms using modulation, cadences, etc. - this is just an intro

Lesson plans tend to change as better ideas emerge - flexibility is important in teaching and learning

Much modern pop/rock just borrows progressions from classical music without doing new composition

Atonal and very dissonant 20th century classical tried to find totally new approaches to composition

Have fun, be creative, let loose when doing your melody writing practice!

Transcripts
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