Fused Glass Checkerboard Bowl Using an Easy Technique, Glass Fusing Project

Jeff Pritchard
8 May 202112:47
EducationalLearning
32 Likes 10 Comments

TLDRIn this engaging video, Jeff from Rocket Rose Art demonstrates the creation of a large Chinese bowl using a simple yet creative technique with 30ml by 30ml glass squares. The process involves cutting, layering, and fusing glass pieces in a pattern before slumping in a mold. Despite being a bit tedious, the result is a stunning bowl with a beautiful light effect, showcasing the potential for various color combinations. Jeff encourages viewers to try the project and experiment with different shapes and sizes, promising a rewarding experience for glass art enthusiasts.

Takeaways
  • 🎨 The video is a tutorial on creating a large Chinese bowl using a simple technique with 30ml by 30ml squares of glass.
  • πŸ›  The process involves cutting up small squares of glass and arranging them in a desired pattern, which can be time-consuming but allows for creativity.
  • πŸ‘ Encouragement for viewers to like the video and leave comments, as it helps the creator improve future content.
  • πŸ“‹ The materials used are specified, with a focus on Bullseye 90 COE glass, and a reminder to adjust schedules based on the user's glass and kiln.
  • πŸ”² The project consists of two layers of glass: a clear glass bottom layer and a top layer of Bullseye 1332 fuchsia glass.
  • πŸ“ The glass is cut into specific sizes, with 49 squares needed for the bottom layer and 36 for the top layer, plus additional strips and corner pieces.
  • πŸ“ A pattern is drawn on a thin fire sheet to guide the arrangement of the glass pieces before assembling.
  • πŸ”₯ The glass pieces are fused together using a tack fuse method before being slumped into a Chinese bowl mold.
  • πŸ’Ž The thickness of the glass used is mentioned, with a preference for 3mm for both layers, but 4mm is used for the bottom due to availability.
  • 🌈 The final product showcases a beautiful fuchsia color and texture, with the potential for different colors to be used.
  • πŸ“š The video ends with suggestions to try different sizes and shapes, and a teaser for a future video on making stands for the bowls.
Q & A

  • Who is the presenter in the video?

    -The presenter in the video is Jeff from Rocket Rose Art.

  • What is the main project being demonstrated in the video?

    -The main project being demonstrated is the creation of a large Chinese bowl using a simple technique with 30 ml by 30 ml squares of glass.

  • What type of glass is used in the project?

    -The glass used in the project is Bullseye 90 COE glass.

  • Why does the presenter suggest adjusting the schedules given in the video?

    -The presenter suggests adjusting the schedules because not every kiln fire is the same, and the schedules may need to be modified to suit the specific glass being used or the kiln's characteristics.

  • What is the size of the glass squares used for the bottom and top layers?

    -The size of the glass squares used for both the bottom and top layers is 30 ml by 30 ml.

  • What color is used for the top layer of the bowl in the video?

    -The top layer of the bowl is made using Bullseye 1332, which is fuchsia color.

  • What is the thickness of the glass used for the bottom layer of the bowl?

    -The thickness of the glass used for the bottom layer is 4 mil, although the presenter mentions that 3 mil would normally be used.

  • What is the size of the piece that will be placed into the mold for slumping?

    -The size of the piece that will be placed into the mold for slumping is 270 mils by 270 mils.

  • What is the first step in the glass cutting process according to the video?

    -The first step in the glass cutting process is to cut up 30 ml strips and then cut them into 30 ml by 30 ml squares.

  • How does the presenter plan to finish the bowl after it is slumped?

    -The presenter plans to mount the finished bowl on a stand, and mentions possibly making a transparent one and showing how to make these stands in a future video.

  • What additional advice does the presenter give for trying this project?

    -The presenter advises to try different colors and suggests that the project could be done in different sizes and shapes, even considering rectangular or triangular shapes.

Outlines
00:00
🎨 Introduction to the Chinese Bowl Glass Art Project

Jeff introduces the project of creating a large Chinese bowl using a simple technique that involves cutting 30 ml by 30 ml squares of glass. He emphasizes the creativity involved and the tediousness due to the need for cutting numerous small squares. The process includes laying them up in a pattern and fusing them together. Jeff encourages viewers to like the video and comment for future content guidance. He also explains the materials, specifically mentioning the use of Bullseye 90 COE glass, and advises viewers to adjust schedules based on their glass and kiln settings. The video shows the preparation of two layers of glass, clear for the bottom and fuchsia for the top, which are cut, laid, and fused together before slumping in a mold.

05:08
πŸ› οΈ Step-by-Step Glass Cutting and Pattern Laying

Jeff demonstrates the process of cutting the glass into squares and strips, detailing the number of pieces needed for both the bottom and top layers of the bowl. He uses a piece of thin fire to draw a pattern that serves as a guide for laying the glass pieces. The video captures the meticulous work of assembling the glass pieces without glue, aiming for an impatient rush to the kiln. Once the pieces are fused, Jeff shows the texture and pattern that has emerged, highlighting the light effect that the bowl will have when completed.

10:11
🏺 Final Slumping and Finishing Touches

In the final stage, Jeff places the fused glass piece into a mold for the final slumping process. He reminds viewers to prepare molds with boron nitride instead of kilnwash. The result is a bowl with a beautiful fuchsia color and an interesting pattern that catches the light well. Jeff expresses his satisfaction with the outcome and encourages viewers to try different colors and shapes for their projects. He also hints at a future video on making stands for such glass art pieces and ends with a reminder to subscribe for more content.

Mindmap
Keywords
πŸ’‘Rocket Rose Art
Rocket Rose Art is the name of the channel or brand presented by the speaker, Jeff. It represents the creative space where the art project is being shared. In the video, it signifies the theme of artistic creation, specifically focusing on glass art.
πŸ’‘Chinese bowl
A 'Chinese bowl' is the type of art piece being created in the video. It refers to the cultural and aesthetic inspiration behind the design, which is likely to have a traditional Chinese influence in its final form. The script mentions making a 'large Chinese bowl' using a specific technique, indicating the project's cultural and artistic significance.
πŸ’‘30 ml by 30 ml squares
The '30 ml by 30 ml squares' are the dimensions of the glass pieces used in the project. These small, uniform pieces of glass are the building blocks for the final art piece, and their size is crucial for the assembly process described in the video.
πŸ’‘Glass cutting
Glass cutting is a fundamental technique in glass art, as it involves physically dividing glass into smaller pieces. In the script, Jeff mentions cutting up '30 ml strips' and then into squares, which is a necessary step before assembling the bowl.
πŸ’‘Tack fused
Tack fused refers to a stage in the glass fusing process where pieces of glass are partially melted together but not fully. In the video, Jeff explains that after laying up the glass pieces, they are 'tack fused together' to form the initial structure of the bowl.
πŸ’‘Bullseye 90 COE
Bullseye 90 COE is a type of glass known for its compatibility and workability, with 'COE' standing for 'coefficient of expansion'. The script specifies that all the glass used is Bullseye 90 COE, which is important for ensuring the glass pieces fuse correctly without cracking.
πŸ’‘Slumping
Slumping is a glass shaping technique where the fused glass is formed into a mold. In the video, after the glass pieces are tack fused, Jeff plans to 'slump it in this Chinese bowl mold', which will give the final piece its shape.
πŸ’‘Kiln
A kiln is an oven used in ceramics and glass art to achieve high temperatures for firing or fusing. In the script, Jeff mentions using a kiln to 'tack fuse' the glass pieces and to complete the slumping process for the bowl.
πŸ’‘Thin fire
Thin fire is a term used to describe a sheet of glass that is thinner than standard glass and is used for drawing or as a base for glass art projects. Jeff uses a 'piece of thin fire' to draw his pattern before laying up the glass pieces.
πŸ’‘Fuchsia
Fuchsia is a color used in the top layer of the glass bowl. It is a vivid purplish-red color, and in the script, 'Bullseye one three three 2 which is fuchsia' is mentioned as the specific color chosen for the project, adding a vibrant visual element to the final piece.
πŸ’‘Mold
A mold in this context is a form or container used to shape the glass during the slumping process. Jeff mentions preparing the mold with 'boron nitride, not with kilnwash', which is essential for the successful shaping of the glass bowl.
Highlights

Introduction to the project of making a large Chinese bowl using a simple technique with 30ml by 30ml squares of glass.

Emphasis on the creative aspect of the project, allowing for a lot of personalization.

Acknowledgment of the tediousness involved in cutting up many small squares of glass.

Invitation for viewers to like the video and leave comments for interaction and feedback.

Explanation of the materials and requirements, specifically mentioning the use of Bullseye 90 COE glass.

Instruction to adjust schedules based on the type of glass and kiln used, acknowledging variations in kiln firing.

Description of the glass layers used: clear glass for the bottom and Bullseye 1332 fuchsia for the top.

Process of cutting the glass into 30 by 30 mil squares and laying them up in a pattern.

Detailing the use of four mil clear glass for the bottom layer due to availability.

Recommendation to use three mil for both bottom and top layers for strength.

Demonstration of cutting clear pieces for the bottom layer, requiring 49 squares.

Explanation of the scoring and snapping process for the glass squares.

Cutting of the top layer squares and strips, including the number of pieces needed.

Introduction of the thin fire with a drawn pattern as a guide for glass layering.

Laying up the glass pieces without glue, aiming for an impatient kiln session.

Tack fusing the glass pieces and checking for any coal working needed before slumping.

Presentation of the fused and slumped bowl, highlighting the texture and pattern.

Final slumping of the bowl in a mold prepared with boron nitride instead of kilnwash.

Satisfaction with the final bowl's appearance, especially the fuchsia color and light effect.

Encouragement for viewers to try the project with different colors and sizes.

Teaser for a future video on making stands for glass art pieces.

Closing remarks with a prompt to subscribe and a farewell until the next video.

Transcripts

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Glass ArtDIY ProjectFusing TechniqueCreative CraftsBowl MakingGlass CuttingArt TutorialFuchsia GlassKiln ProcessArtistic Glass